შუშპარი

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Georgian

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Etymology

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From Old Georgian შუშპარი (šušṗari), from Old Armenian.

Noun

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შუშპარი (šušṗari) (plural შუშპრები)

  1. (obsolete) dance

Derived terms

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Descendants

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  • Armenian: շուշպար (šušpar, buffoonery) (Tbilisi)

Further reading

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  • Čikobava, Arnold et al., editors (1950–1964), “შუშპარი”, in Kartuli enis ganmarṭebiti leksiḳoni [Explanatory Dictionary of the Georgian language] (in Georgian), Tbilisi: Academy Press
  • Čubinov, David (1840) “შუშპარი”, in Грузинско-русско-французский словарь [Georgian–Russian–French Dictionary], Saint Petersburg: Academy Press, page 590a
  • Čubinov, David (1887) “შუშპარი”, in Грузинско-русский словарь [Georgian–Russian Dictionary]‎[1], Saint Petersburg: Academy Press, column 1530

Old Georgian

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Etymology

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From Old Armenian *շուրջպար (*šurǰpar, circle dance), whence Modern Armenian շուրջպար (šurǰpar).[1] See the latter for more.

Noun

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შუშპარი (šušṗari)

  1. circle dance

Derived terms

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Descendants

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References

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  1. ^ Ačaṙean, Hračʻeay (1979) “պար”, in Hayerēn armatakan baṙaran [Armenian Etymological Dictionary] (in Armenian), 2nd edition, a reprint of the original 1926–1935 seven-volume edition, volume IV, Yerevan: University Press, page 55b

Further reading

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  • Abulaʒe, Ilia (1973) “შუშპარი”, in Ʒveli kartuli enis leksiḳoni (masalebi) [Dictionary of Old Georgian (Materials)]‎[2] (in Georgian), Tbilisi: Metsniereba, page 509b
  • Gippert, Jost (1997) “Ein armenisch-kaukasischer Reigen”, in Acta Orientalia Academiae Scientiarum Hungaricae[3] (in German), volume 50, number 1/3, pages 73–85
  • Muradyan, Paruyr (2004) ““Vasn awurn kirakēi” čaṙi hayeren ew vracʻeren tʻargmanutʻyunneri aṙnčʻakcʻutʻyan xndirə [The issue of interconnection of the Armenian and Georgian translations of the homily On Sunday]”, in Etchmiadzin[4] (in Armenian), volume 60, number 6, Vagharshapat: Mother See of Holy Etchmiadzin, pages 120–122
  • Sardshweladse, Surab, Fähnrich, Heinz (2005) “შუშპარი”, in Altgeorgisch-Deutsches Wörterbuch (Handbook of Oriental Studies; VIII.12), with the collaboration of Irine Melikishvili and Sopio Sardshweladse, Leiden, Boston: Brill, page 1435a, incorrectly glossing as Tänzer