Template:RQ:Edgeworth Patronage
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1814, Maria Edgeworth, Patronage. […], volumes (please specify |volume=I to IV), London: […] [J. M‘Creery] for J[oseph] Johnson and Co., […], →OCLC:
- The following documentation is located at Template:RQ:Edgeworth Patronage/documentation. [edit]
- Useful links: subpage list • links • redirects • transclusions • errors (parser/module) • sandbox
Usage
[edit]This template may be used in Wiktionary entries to format quotations from Maria Edgeworth's work Patronage (1st edition, 1814, 4 volumes). It can be used to create a link to online versions of the work at the Internet Archive:
Parameters
[edit]The template takes the following parameters:
|1=or|volume=– mandatory: the volume number quoted from in uppercase Roman numerals, from|volume=Ito|volume=IV.|2=or|chapter=– the chapter number quoted from in uppercase Roman numerals. If quoting from "To the Reader" in volume I, specify|chapter=To the Reader.|3=or|page=, or|pages=– mandatory in some cases: the page number(s) quoted from. When quoting a range of pages, note the following:- Separate the first and last pages of the range with an en dash, like this:
|pages=10–11. - You must also use
|pageref=to indicate the page to be linked to (usually the page on which the Wiktionary entry appears).
- Separate the first and last pages of the range with an en dash, like this:
- This parameter must be specified to have the template link to the online version of the work.
|4=,|text=, or|passage=– the passage to be quoted.|footer=– a comment on the passage quoted.|brackets=– use|brackets=onto surround a quotation with brackets. This indicates that the quotation either contains a mere mention of a term (for example, “some people find the word manoeuvre hard to spell”) rather than an actual use of it (for example, “we need to manoeuvre carefully to avoid causing upset”), or does not provide an actual instance of a term but provides information about related terms.
Examples
[edit]- Wikitext:
{{RQ:Edgeworth Patronage|volume=II|chapter=XXIII|page=348|passage=Mrs. Falconer cannot well avoid asking you to some of her entertainments, and it will be pleasant to you to know '''who's who''' beforehand.}}; or{{RQ:Edgeworth Patronage|II|XXIII|348|Mrs. Falconer cannot well avoid asking you to some of her entertainments, and it will be pleasant to you to know '''who's who''' beforehand.}}
- Result:
- 1814, Maria Edgeworth, chapter XXIII, in Patronage. […], volume II, London: […] [J. M‘Creery] for J[oseph] Johnson and Co., […], →OCLC, page 348:
- Mrs. Falconer cannot well avoid asking you to some of her entertainments, and it will be pleasant to you to know who's who beforehand.
- Wikitext:
{{RQ:Edgeworth Patronage|volume=IV|chapter=XXXVI|pages=75–76|pageref=76|passage=[T]he courtiers, who played at divers games in public, had a way of exciting the admiration and amazement of the commoner sort of spectators, by producing heaps of golden counters, and seeming to stake immense sums, when all the time they had previously agreed among one another, that each guinea shoud stand for a shilling, or each hundred guineas for one.—So that in fact, two modes of calculation were used for the initiated and uninitiated, and this isoteric and '''exoteric''' practice goes on continually to this hour, among literary performers in the intellectual, as well as among courtiers in the fashionable world.— {{...}}}} - Result:
- 1814, Maria Edgeworth, chapter XXXVI, in Patronage. […], volume IV, London: […] [J. M‘Creery] for J[oseph] Johnson and Co., […], →OCLC, pages 75–76:
- [T]he courtiers, who played at divers games in public, had a way of exciting the admiration and amazement of the commoner sort of spectators, by producing heaps of golden counters, and seeming to stake immense sums, when all the time they had previously agreed among one another, that each guinea shoud stand for a shilling, or each hundred guineas for one.—So that in fact, two modes of calculation were used for the initiated and uninitiated, and this isoteric and exoteric practice goes on continually to this hour, among literary performers in the intellectual, as well as among courtiers in the fashionable world.— […]
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