Citations:bitch-ass

English citations of bitch-ass

						1999	2011
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1999 — Wayde Compton, 49th Parallel Psalm, Arsenal Pulp Press (1999), →ISBN, page 139:
'All sorts of shit kept from us. All sorts of shit. Bitch-ass white dude asked me today why if Africans are so into the drum, the talking drum and all that shit, why there are so few rock drummers who are black? […]
1999 — E. Lynn Harris, Abide With Me, Doubleday (1999), →ISBN, page 249:
"How long did you wait?"

"Almost two hours. I called his hotel and he didn't answer the phone and then I called and the bitch-ass operator tells me, 'Mr. Tyler has requested a do not disturb.' Ain't that some shit?" Basil asked but didn't wait for an answer.
2011 — Tracy Brown, Aftermath: A Snapped Novel, Macmillan (2011), →ISBN, page 244:
Dominique smiled, feeling more content than she had in all her years of fucking with bitch-ass Jamel, and drifted into a peaceful and euphoric sleep.

						1996 1997 1998 2000
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1996 — Irwin Ai-Bong Tang, "'Til You're Full", A Magazine, August/September 1996:
"It was those no-good, weak, bitch-ass bi—"
1997 — Greg Tate, "The Long Run", Vibe, February 1997:
What might be missing in hip hop is artistic models for mugs to draw strength from whenever they want to change their pitch up and smack they bitch-ass, afraid-of-evolving selves up.
1997 — Jarvis Jay Masters, Finding Freedom: Writings from Death Row, Padma Publishing (1997), →ISBN, page 160:
"You fuckin' goons come to work with your bitch-ass attitudes and now you wanna take it out on us, eh?" said Maddog, when the guards got to his cell.
1998 — John Ridley, Love is a Racket, Knopf (1998), →ISBN, page 203:
"Hey, dickhead," she screamed. "Tell your bitch-ass gorilla to get off him!"
2000 — William Shaw, Westside: Young men and Hip Hop in L.A., Simon and Schuster (2000), →ISBN, page 22:
Instead of having a real taste of Marine Corps action, he ended up in Bravo Company, Seventh Engineers, which Kimeyo will happily deride as a "bitch-ass company of pencil- whippin' motherfuckers."

						1965 1996	2001
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1965 — Roy Sussman, "The Sea Gulls", The Yale Literary Magazine, Volume 133, Issue 6:
Why don't I ever cut her down, the piece of bitch-ass. I have never once really told her off, really hurt her, really communicated with her.
1996 — Paul Beatty, The White Boy Shuffle, Houghton Mifflin (1996), →ISBN, page 225:
"Say, bitch-ass, com'ere!"

"Who, me?"

"Must be you, you looked."
2001 — Christopher Chambers, Sympathy for the Devil, Crown Publishers (2000), →ISBN, page 123:
"An' word is you the source of all this drama. You copped on that Branch Avenue pussy Bam Walters. So Bam gon' cop on us to save his ass? One detail yo' bitch-ass neglected, though: Bam didn't kill no one. […]