Template:RQ:Hallam Literature of Europe

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1837–1839, Henry Hallam, Introduction to the Literature of Europe, in the Fifteenth, Sixteenth and Seventeenth Centuries, volumes (please specify |volume=I to IV), London: John Murray, [], →OCLC:

Usage

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This template may be used in Wiktionary entries to format quotations from Henry Hallam's work Introduction to the Literature of Europe, in the Fifteenth, Sixteenth, and Seventeenth Centuries (1st edition, 1837–1839, 4 volumes). It can be used to create a link to online versions of the work at the HathiTrust Digital Library and Internet Archive:

Parameters

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The template takes the following parameters:

  • |1= or |volume=mandatory: the volume number quoted from in uppercase Roman numerals, from |volume=I to |volume=IV.
  • |2= or |chapter= – the name of the chapter quoted from.
  • |section= – the section number quoted from in uppercase Roman numerals, followed by the name of the section in parentheses: see the example below.
  • |para= or |paragraph= – the paragraph number quoted from in Arabic numerals.
  • |3= or |page=, or |pages=mandatory in some cases: the page number(s) quoted from in Arabic or lowercase Roman numerals, as the case may be. When quoting a range of pages, note the following:
    • Separate the first and last pages of the range with an en dash, like this: |pages=10–11 or |pages=x–xi.
    • You must also use |pageref= to specify the page number that the template should link to (usually the page on which the Wiktionary entry appears).
You must specify this information to have the template link to the online version of the work.
  • |4=, |text=, or |passage= – the passage to be quoted.
  • |footer= – a comment on the passage quoted.
  • |brackets= – use |brackets=on to surround a quotation with brackets. This indicates that the quotation either contains a mere mention of a term (for example, “some people find the word manoeuvre hard to spell”) rather than an actual use of it (for example, “we need to manoeuvre carefully to avoid causing upset”), or does not provide an actual instance of a term but provides information about related terms.

Examples

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  • Wikitext:
    • {{RQ:Hallam Literature of Europe|volume=III|chapter=History of Moral and Political Philosophy, and of Jurisprudence from 1600 to 1650|para=100|page=400|passage=Consent is the second mode of acquiring dominion. The '''consociation''' of male and female is the first species of it, which is principally in marriage, for which the promise of the woman to be faithful is required.}}; or
    • {{RQ:Hallam Literature of Europe|III|History of Moral and Political Philosophy, and of Jurisprudence from 1600 to 1650|para=100|400|Consent is the second mode of acquiring dominion. The '''consociation''' of male and female is the first species of it, which is principally in marriage, for which the promise of the woman to be faithful is required.}}
  • Result:
    • 1839, Henry Hallam, “History of Moral and Political Philosophy, and of Jurisprudence from 1600 to 1650”, in Introduction to the Literature of Europe, in the Fifteenth, Sixteenth and Seventeenth Centuries, volume III, London: John Murray, [], →OCLC, paragraph 100, page 400:
      Consent is the second mode of acquiring dominion. The consociation of male and female is the first species of it, which is principally in marriage, for which the promise of the woman to be faithful is required.
  • Wikitext: {{RQ:Hallam Literature of Europe|volume=II|chapter=History of Poetry from 1550 to 1600|section=V (On Latin Poetry)|para=97|page=341|passage=One [poem] by {{w|Hercules Rollock}} on the marriage of {{w|Anne of Denmark}} is better, and equal, a few names '''withdrawn''', to any of the contemporaneous poetry of France.}}
  • Result:
    • 1839, Henry Hallam, “History of Poetry from 1550 to 1600”, in Introduction to the Literature of Europe, in the Fifteenth, Sixteenth and Seventeenth Centuries, volume II, London: John Murray, [], →OCLC, section V (On Latin Poetry), paragraph 97, page 341:
      One [poem] by Hercules Rollock on the marriage of Anne of Denmark is better, and equal, a few names withdrawn, to any of the contemporaneous poetry of France.