Template:RQ:Hawthorne Marble Faun/documentation
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Usage
[edit]This template may be used on Wiktionary entry pages to quote Nathaniel Hawthorne's work The Marble Faun (1st edition, 1860). It can be used to create a link to online versions of the work at the Internet Archive:
Parameters
[edit]The template takes the following parameters:
|1=or|volume=– mandatory: the volume number quoted from in uppercase Roman numerals, either|volume=Ior|volume=II.|2=or|chapter=– the name of the chapter quoted from.|3=or|page=, or|pages=– mandatory in some cases: the page number(s) quoted from. When quoting a range of pages, note the following:- Separate the first and last pages of the range with an en dash, like this:
|pages=10–11. - You must also use
|pageref=to indicate the page to be linked to (usually the page on which the Wiktionary entry appears).
- Separate the first and last pages of the range with an en dash, like this:
- This parameter must be specified to have the template link to the online version of the work.
|4=,|text=, or|passage=– the passage to be quoted.|footer=– a comment on the passage quoted.|brackets=– use|brackets=onto surround a quotation with brackets. This indicates that the quotation either contains a mere mention of a term (for example, “some people find the word manoeuvre hard to spell”) rather than an actual use of it (for example, “we need to manoeuvre carefully to avoid causing upset”), or does not provide an actual instance of a term but provides information about related terms.
Examples
[edit]- Wikitext:
{{RQ:Hawthorne Marble Faun|volume=II|chapter=A Walk on the Campagna|page=237|passage=[T]he sculptor lifted it [a round block of stone], turned it hither and thither in his hands, brushed off the clinging soil, and finally placed it on the slender neck of the newly discovered statue. The effect was magical. It immediately lighted up and vivified the whole figure, '''endowing''' it with personality, soul, and intelligence.}}; or{{RQ:Hawthorne Marble Faun|II|A Walk on the Campagna|237|[T]he sculptor lifted it [a round block of stone], turned it hither and thither in his hands, brushed off the clinging soil, and finally placed it on the slender neck of the newly discovered statue. The effect was magical. It immediately lighted up and vivified the whole figure, '''endowing''' it with personality, soul, and intelligence.}}
- Result:
- 1860, Nathaniel Hawthorne, “A Walk on the Campagna”, in The Marble Faun: Or, The Romance of Monte Beni. […], volume II, Boston, Mass.: Ticknor and Fields, →OCLC, page 237:
- [T]he sculptor lifted it [a round block of stone], turned it hither and thither in his hands, brushed off the clinging soil, and finally placed it on the slender neck of the newly discovered statue. The effect was magical. It immediately lighted up and vivified the whole figure, endowing it with personality, soul, and intelligence.
- Wikitext:
{{RQ:Hawthorne Marble Faun|volume=I|chapter=A Sculptor's Studio|pages=148–149|pageref=149|passage="As these busts in the block of marble," though Miriam, "so does our individual fate exist in the limestone of time. We fancy that we carve it out; but its ultimate shape is '''prior''' to all our action."}} - Result:
- 1860, Nathaniel Hawthorne, “A Sculptor’s Studio”, in The Marble Faun: Or, The Romance of Monte Beni. […], volume I, Boston, Mass.: Ticknor and Fields, →OCLC, pages 148–149:
- "As these busts in the block of marble," though Miriam, "so does our individual fate exist in the limestone of time. We fancy that we carve it out; but its ultimate shape is prior to all our action."
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