ethopoeia

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English

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English Wikipedia has an article on:
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Alternative forms

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Etymology

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Borrowed from Ancient Greek ἠθοποιία (ēthopoiía). Equivalent to etho- +‎ -poeia.

Noun

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ethopoeia (countable and uncountable, plural ethopoeiae or ethopoeias)

  1. (uncountable) A rhetorical technique in which the speaker or author presents an imaginary speech by a real person, portraying that person's known characteristics and propensities.
    • 2003, George Alexander Kennedy, Progymnasmata: Greek Textbooks of Prose Composition and Rhetoric, →ISBN, page 165:
      The situation envisioned is the contest for a prize described in Herodotus 8.123 and cast in the form of ethopoeia.
    • 2014, Koen De Temmerman, Crafting Characters: Heroes and Heroines in the Ancient Greek Novel, →ISBN:
      In ancient narrative literature, ethopoeia is a frequently used literary tool.
    • 2015, David S. Thompson, Theatre Symposium, Vol. 23: Theatre and Youth, →ISBN, page 43:
      This is a reference to a type of drama-based pedagogy called ethopoeia, which formed a central component of the humanist grammar school curriculum.
  2. (countable) An instance of this technique.
    • 1976, E. Michael Gerli, Alfonso Martínez de Toledo, →ISBN, page 115:
      In their ethopoeias of the ideal lover, de la Torre, Ribera, and Luduefia emphasize, as we have seen, eloquence, good physical proportions, youth, elegance, discretion and honesty.
    • 2001, Ralph W. Mathisen, Danuta Shanzer, Society and Culture in Late Antique Gaul, page 302:
      The speeches in the De Gelesuintha all can be described as ethopoeiae, that is speeches intended to communicate the emotional condition of their speakers.
    • 2003, George Alexander Kennedy, Progymnasmata, →ISBN:
      An ethopoeia is delimited by some few arguments from past, present, and future time, while exhortation, as an hypothesis dealing with acknowledged particulars, takes its amplification from final headings.
    • 2012, Irene Peirano, The Rhetoric of the Roman Fake, →ISBN, page 258:
      One of the most elaborate extant examples of this genre is a speech by Libanius, an ethopoeia of Medea as she is about to kill her children.

Translations

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