halldorophone

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English[edit]

Etymology[edit]

Named according to the inventor, Halldór Úlfarsson from Iceland, who developed the instrument in late 2000s while studying at University of Art and Design Helsinki.

Noun[edit]

halldorophone (plural halldorophones)

  1. (music) An electroacoustic string instrument, the sound of which makes use of electro acoustic feedback to produce drones and otherwise resembles a cello.
    • 2016, Alice Eldridge, Chris Kiefer, “Continua: a resonator-feedback-cello duet for live coder and cellist”, in Proceedings of the Fourth Conference on Computation, Communication, Aesthetics and X, page 399:
      Continua is a duet for cellist and live coder, each playing a hybrid instrument based on the Halldorophone, an electroacoustic instrument in which electromagnetically-controlled feedback can be induced independently on each string.
    • 2017, Alice Eldridge, Chris Kiefer, “The self-resonating feedback cello: interfacing gestural and generative processes in improvised performance”, in Proceedings of New Interfaces for Musical Expression:
      Following the design of the halldorophone, the self-resonating behaviour of the Feedback Cello is induced by acoustic and vibrational actuation: the signals from pickups under each string are sent to a speaker built into the back of the instrument, and a vibrational transducer fixed on the front.
    • 2018, Andrew Hugill, The Digital Musician, Routledge, →ISBN:
      One recent example is the 'Halldorophone', a range of adapted string instruments built by Halldór Úlfarsson that combine acoustic, electronic and digital functions within a single instrument (Figure 8.3).
    • 2018, Halldór Úlfarsson, “The halldorophone: The ongoing innovation of a cello-like drone instrument”, in Proceedings of New Interfaces for Musical Expression:
      After ten years of use, the halldorophone has a growing repertoire of works by prominent composers and performers.
    • 2018, Thanos Polymeneas Liontiris, “Low Frequency Feedback Drones: A non-invasive augmentation of the double bass”, in Proceedings of New Interfaces for Musical Expression:
      Influential works were the Overtone Fiddle [3], the Self-Resonating Feedback Cello [4, 5], the feral cello [6], the Magnetic Resonating Piano [7], the Feedback Resonance Guitar [2], Half-Closed loop [8] as well as the ongoing work of Halldór Úlfarsson, halldorophone[9] a cello-like feedback instrument.

Translations[edit]

Further reading[edit]

  • Information on halldorophones [1]